This manifesto explores the relationship between work and identity by analyzing how a graphic designer identifies with the body of work they create. These concepts are manifested into brand identity guidelines for a luxury brand, id, that sells “The Product”: a clear cube.
Fashion Institute of Technology
Designer, Writer
Cat Trzaskowski (Photographer)
The brand itself, id, is a lifestyle brand devoid of any uniquely defining characteristics (even opting out a brand color in favor of clear). The branding is highly influenced by context and relies on the person interacting with it to project their own biases, resulting in personally assigned meaning.
id represents a holistic lifestyle and The Product is a conduit for identifying as a designer.
The basic building blocks that the logo consists of are meant to represent pureness of form that The Product itself also encapsulates. The elements that make up the logo are set an awkward distance apart and adhere to a strict 3x3 grid. All of this results in a mark that purposely appears unfinished, unrefined, and (above all) raw purity of form.
Humans are sentimental creatures. We assign meaning to objects and project ourselves onto them. id’s main product, The Product*, is meant to represent pure form. The absence of color, ergonomics, and visual cues allows the user to cast judgment on The Product based on personal experience. The Product takes on the color of its surroundings, and the angle at which the user views it affects the refraction within, further individualizing the object. The personal connection a user experiences with The Product while holding it is what makes it theirs.
*Price upon request.